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Maroc Maroc - The New York Times - Books - 21/Jan 10:00

Book Review: ‘Mona Acts Out,’ by Mischa Berlinski

Mischa Berlinski’s shrewd comic novel finds a veteran actress reconnecting with her deposed mentor while facing the challenge of playing Cleopatra.

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Book Review: ‘Witchcraft for Wayward Girls,’ by Grady Hendrix

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Grady Hendrix’s new novel, “Witchcraft for Wayward Girls,” is a timely look at the mistreatment of women, with a dose of horror, monsters and...

Book Review: ‘Good Dirt,’ by Charmaine Wilkerson

the new york times - 26/Jan 10:00

Charmaine Wilkerson’s novel “Good Dirt” weaves together grief, suspense and the story of a jar made by an enslaved potter generations earlier.

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“Men should stop killing women over alleged infidelity” – Actress Joke Silva

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Joke Silva, a renowned actress, has expressed her concerns over the recent murders of women in the Philippines by their partners due to alleged...

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Book Review: ‘Going Home,’ by Tom Lamont

the new york times - 15/Jan 10:00

Tom Lamont’s debut novel, “Going Home,” considers the joys and frustrations of raising a child who is not your own.

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Book Review: ‘We Do Not Part,’ by Han Kang

the new york times - 17/Jan 10:00

The Nobel laureate’s new novel, “We Do Not Part,” revisits a violent chapter in South Korean history.

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Book Review: ‘Blob,’ by Maggie Su

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In Maggie Su’s funny debut novel, a Frankenstein-like monster turns on his flailing creator.

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Book Review: ‘Black in Blues,’ by Imani Perry

the new york times - 26/Jan 10:01

Imani Perry’s impressionistic “Black in Blues” finds shades of meaning — beautiful and ugly — in art, artifacts, music, fashion and more.

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Face To Face Encounter With God

echonews.ng - 23/Jan 15:52

Book Review

Nesting by Roisín O’Donnell: A confident and compelling debut novel about coercive control

the irish times - 21/Jan 05:00

A woman escapes her manipulative creep of a husband. This powerful book asks: what now?

Book Review: ‘Everything Must Go,’ by Dorian Lynskey

the new york times - 22/Jan 10:01

A new book by the British cultural journalist Dorian Lynskey chronicles our centuries-old obsession with doomsday scenarios.